Pre-Raphaelite Knights in Shining Armour
What should a medieval or mythical knight look like? In the days when suits of armour were already relics of
Get insights from Museum staff, guest curators, volunteers and interns as they take an informal look at life behind the scenes in The Bowes Museum.
What should a medieval or mythical knight look like? In the days when suits of armour were already relics of
When walking through the galleries you may have noticed a spectacular mirror. It was modelled by the great sculptor Carrier Belleuse, master of the now more famous Auguste Rodin, and cast in the foundry of Auguste Barbedienne. Regarded as one of greatest achievements of Carrier-Belleuse, the bevelled mirror glass is set in an elaborate gilt-bronze and silvered frame comprising scrolling cartouches and cast foliate decoration with satyrs’ heads at the sides, draped nymphs at the top and corners and a lion’s mask at the base. The mirror is inscribed ANNO 1867 and is signed Barbedienne. First displayed at the Paris International Exhibition of 1867 it was purchased by William Ward, 1st Earl of Dudley, for display at Witley Court in Worcestershire or his London home, Dudley House on Park Lane. William Ward was not the only prospective buyer at the Paris Exhibition of 1867. He may well have rubbed shoulders with John and Joséphine Bowes. Indeed it was there that they first saw the famous Silver Swan, which they would later acquire. Following Dudley’s purchase, the mirror then disappeared until 1991 when it came up at auction in England. It was bought by an international museum, but was considered to be of such importance that the export licence was stopped to give a British museum time to raise the funds to buy it and save it
Well it seems you can. Until Lockdown I hadn’t really delivered much work online and I had never done a
Look! There’s a crocodile in the Canaletto! Yes, one of the two enormous paintings depicting events on the Grand Canal
1829 Before lockdown the Textile Conservation department at The Bowes Museum was working on The Tullie House fashion project, which
The Bowes Museum’s ICON (The Institute Of Conservation) textile conservation interns were working on bespoke mounts and supports for items
Museums can appear rather humourless places. Full of beautiful and fascinating objects, certainly, but how often do they make us
In 2017, I wrote a blog as I left my year-long role as Coordinator for the Bouts Public Display and
Hello, my name is Adele and I am one of the two interns working on the Bouts Project for the
Hello, my name is Naomi, a Curating and Art History student at the University of York. I am enthused to
What made you decide to participate in the Bouts Art Competition? It was a good opportunity to perhaps be exhibited
I decided to participate in the Bouts Art Competition as I felt drawn to the portraiture through objects prompts. It
What made you decide to participate in the Bouts Art Competition? I decided to participate in the Bouts Art Competition
What made you decide to participate in the Bouts Art Competition? For the opportunity to have my work displayed, COVID-19
It is fitting that on the day when we celebrate the legendary figure of St George, we consider a figure